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KINETIC SCULPTURE

GALAXY NO. 3, KINETIC WIND VANE SCULPTURE

Galaxy No. 3 is the first kinetic piece I’ve done using sleeve bearings instead of pillow blocks. The bearings are inside the tubing that attaches the sculpture to the base, which keeps them out of the weather. The piece spins readily to point into the direction of the wind. It’s a slow and graceful motion… I’d kind of like it if there was enough inertia to keep the piece in rotation, but I guess if the wind changes directions often enough (which it does here) you wind up with the same effect.

 

There are some in-progress photos of the construction of the piece here and here.

 

I love the way these abstracts are open to various interpretations. In one glance, you might see stars, planets and moons. In another, perhaps a fish. Yet another look suggests a man riding a boat… the way these different interpretations play off of one another is what really drives the poetic essence of each sculpture, at least for me. I end up with visions of a sailor riding a fish across the sky.

 

The Galaxy Series are Modernist inspired, abstract wind vanes made from recycled steel. The designs feature simple lines and shapes balanced to spin easily in a light breeze. The sculptures disassemble into two pieces (horizontal arm and vertical base) for shipping. Each is one of a kind and will not be reproduced.

 

The Galaxy Series was inspired in part by David Smith’s sculptures Australia and Royal Bird. They are also an exploration of negative space… The Galaxy pieces are structured around lines and curves, but depend heavily as well on the open shapes enclosed by the lines.

 

Galaxy No. 3, 2005
recycles steel
139 x 133 x 14 in at the base
note: effective width/lengthis a radius of 133 in

 

Galaxy No. 3 Kinetic

GALAXY NO. 2, KINETIC WIND VANE SCULPTURE

 

I kinda miss Galaxy No. 2… It was one of the pieces that really captured a part of my heart. On nasty, blustery days, I’d look out the window of the office and watch it just spinning merrily, happy in the wind that I wanted no part of. It was a good reminder that the weather is what you make of it (metaphorically or straight up).

 

The Galaxy Series are Modernist inspired, abstract wind vanes made from recycled steel. The designs feature simple lines and shapes balanced to spin easily in a light breeze. The sculptures disassemble into two pieces (horizontal arm and vertical base) for shipping. Each is one of a kind and will not be reproduced.

 

The Galaxy Series was inspired in part by David Smith’s sculptures Australia and Royal Bird. They are also an exploration of negative space… The Galaxy pieces are structured around lines and curves, but depend heavily as well on the open shapes enclosed by the lines

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Galaxy No. 2, 2004
recycled steel
82 x 82 x 14 in
collection: Kathleen Glynn and Michael Moore

GALAXY NO. 1, KINETIC WIND VANE SCULPTURE

I love the graceful bearing housing on Galaxy No. 1… I enjoy coming up with different solutions on each piece for hiding the mechanical parts in a way that adds beauty to the overall design. This was, in my eyes, a particularly good solution. You can see the original (less elegant) version of this sculpture here. The earlier page also links to a film of the sculpture in motion.

 

The Galaxy Series are Modernist inspired, abstract wind vanes made from recycled steel. The designs feature simple lines and shapes balanced to spin easily in a light breeze. The sculptures disassemble into two pieces (horizontal arm and vertical base) for shipping. Each is one of a kind and will not be reproduced.

The Galaxy Series was inspired in part by David Smith’s sculptures Australia and Royal Bird. They are also an exploration of negative space… The Galaxy pieces are structured around lines and curves, but depend heavily as well on the open shapes enclosed by the lines.

Galaxy No. 1, 2004
recycled steel
74 x 54 x 20 in.
private collection

Galaxy No. 1 Kinetic

SWISS ARMY HORSE: A KINETIC SCULPTURE TOY THAT DOES EVERYTHING

I call this sculpture the Swiss Army Horse because it can be posed in so many positions that it reminds me of the famous knives. When I first made it, I was at my friend Kenneth’s house (where I did all my welding back when I lived in Pilsen). A bunch of people showed up for the weekly brunch/art fest and we were sitting in the back yard playing with the horse. I had thought it was a cool enough piece, but nothing, you know, special. The more we played with it though, the more everyone liked it— “Look! It’s Zombie Horse!” “Hey, he can fly like Superman!” “Wow! He sits, he lifts his leg to pee, he plays dead!” etc.

Back then, I was still figuring out stuff like pricing. Someone asked what I was gonna charge for the horse and I think I said something like 30 or 50 bucks. It was small and hadn’t taken all that long to make. But the more poses we found, the more everyone though I should charge for it. It was kinda like an auction, and by the time brunch was ready I think we had the price up around $150. Which is what the horse did eventually sell for.

The body of the horse is an old strap ratchet for tie downs. The front legs are wrenches, and the head was some kind of faucet or nozzle I’d found in a junk yard. I filled in parts of the head with black grout.

Swiss Army Horse, 2000
recycled steel, grout
collection: Marilyn Houlberg

FROG FOUNTAIN WIRE SCULPTURE

The better part of two 1/4 mile spools of wire went into making this fountain. I found myself singing Bo Diddley’s Who Do You Love? pretty much the whole time I was making it (47 miles of barbed wire, etc.). You can read more about the process and see photos of the frog in progress by visiting this entry of the studio blog.

Frog Fountain, 2004
steel, wire, hose, coppper, paint
61 x 28 x 12 in (65 in high with stand)
available from Cycling Salamander Gallery

WIND VANE COMMISSIONED BY CYCLING SALAMANDER GALLERY

This sculpture was commissioned by Cycling Salamander Gallery in Charlevoix, Michigan.

The bike used in the piece is the one that Rebbecca, the gallery’s owner, learned to ride on. The bearing assembly for the rotating axis is so smooth that even a light breeze sets the piece in motion. The hat makes a cool rattling noise when it’s spinning, as if to warm you not to bang your head on the big red arrow. You know, in case you didn’t see the 8′ 9″ base spinning towards you…

Cycline Salamander Windvane, 2004
steel, bicycle, copper, bronze, aluminum, paint
132 x 105 x 12 in.
commission

See photos of the Salamander in progress.
See photos of the Salamander’s official unveiling.

GRASSCHOPPER: A KINETIC SCULPTURE FOR PEOPLE WHO DON’T LIKE TO MOW

One of the things I really enjoy about making abstract work is hearing different people’s interpretations of the work… someone thought this piece looked like a grasshopper, hence the title.

I like the idea of moving this piece around the yard to actually mow the tops of very tall grass.

Grasschopper Wind Vane, 2004
steel, cast iron, copper
60 x 40 x 20 in

Galaxy No. 2, 2004 Steel 82" x 82" x 14" Collection: Kathleen Glynn & Michael Moore. The Galaxy Series of sculptures is inspired in part by David Smith's sculptures Australia and Royal Bird. But I also enjoyed the comment left by Craig...

  The Amazing Devil Girl— She Whirls!, 2000 ceramic mosaic, plywood, steel, copper, bronze 66.6" H x 48" W x 13" D I'm pretty sure I'm the only mosaic artist who's ever made a wind powered kinetic mosaic sculpture… The wind vane sculpture shown above is the second of...

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